Passing by the always impeccable Filles Sourires site, I was oh so grateful to Monsieur Guuzbourg for heralding the arrival of Swinging Mademoiselle Volume 3. I've been out of touch with most of the outside world (as the present dearth of blog posts testifies) - one of the side effects of having a small person to look after - so the news gave me a tiny flutter of excitement at the prospect of some hitherto unheard yé-yé delights to please my ears and my itchy, dancing feet.
Some of you may remember how I got in a bit of a lather about that Girls In The Garage Vol 12, regarding it as the 3rd part of the Swinging Mademoiselle series (not to be confused with the pale imitation Swinging Mademoiselles - note the pluralisation and beware - CDs), being that it was compiled by the same person: an elusive monsieur by the name of Sasha Monett.
Here's what he says of this latest edition:
"The world has changed a lot in the 10 years since the release of volume 2, and I can say (in all modesty) that the term Swinging Mademoiselle has basically become a genre in itself, designating the instantly recognizable sound of French pop with female vocals, recorded from 1965 to 1968.
This is the third and -- I emphasize -- the final volume, because there will not be any more. Sorry, friends, but three is enough (or four, because you can include Girls in the Garage volume 12 in this series). This time, I’ll present artists who are much more obscure than those in previous volumes. It’s a difficult task, because in today’s ultra-connected world where everything is three clicks away, nothing remains truly « obscure ». It’s a daunting task, but I’ll try anyway."
I'm waiting patiently for my vinyl copy to arrive from France, but he very kindly forwarded me the mp3 files, and they're keeping me warm in this snowy weather. The first few listens suggest he's certainly delivered on his promise: a quick cross-reference of my own mp3 and vinyl library brings up only 2 duplicates (Valéry - 'Vous Dansez Mademoiselle'; and Dorine - 'Pêches à la crème'; which were both on Ultra Chicks 6, I think). The rest is pure, uncharted vintage Femme-pop joy: from the slightly sleazey doo-wop naiveté of Michelle's 'Viens petite fille', to the psyched-out baroquerie of Christine Moncenis' Serge Franklin-penned 'Sensation'.
In the absence of any time to write a gushing review, Sasha Monett, I doff my cap to you!
WANT TO BUY IT?
The vinyl pressing is limited to only 1000 copies, and there's no digital or CD release on the cards as far as I know, so you should order your copy now - my tip is to get it direct from source if you're in Europe, or from Dionysus Recs in the US.